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<p>In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since.</p>
<p>"Whenever you feel like criticizing any one," he told me, "just remember that all the people in this world haven't had the advantages that you've had."</p>
<p>He didn't say any more, but we've always been unusually communicative in a reserved way, and I understood that he meant a great deal more than that. In consequence, I'm inclined to reserve all judgments, a habit that has opened up many curious natures to me and also made me the victim of not a few veteran bores. The abnormal mind is quick to detect and attach itself to this quality when it appears in a normal person, and so it came about that in college I was unjustly accused of being a politician, because I was privy to the secret griefs of wild, unknown men. Most of the confidences were unsought-frequently I have feigned sleep, preoccupation, or a hostile levity when I realized by some unmistakable sign that an intimate revelation was quivering on the horizon; for the intimate revelations of young men, or at least the terms in which they express them, are usually plagiaristic and marred by obvious suppressions. Reserving judgments is a matter of infinite hope. I am still a little afraid of missing something if I forget that, as my father snobbishly suggested, and I snobbishly repeat, a sense of the fundamental decencies is parcelled out unequally at birth.</p>
<p>And, after boasting this way of my tolerance, I come to the admission that it has a limit. Conduct may be founded on the hard rock or the wet marshes, but after a certain point I don't care what it's founded on. When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction-Gatsby, who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the "creative temperament"-it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No-Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.</p>
<p>And, after boasting this way of my tolerance, I come to the admission that it has a limit. Conduct may be founded on the hard rock or the wet marshes, but after a certain point I don't care what it's founded on. When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction-Gatsby, who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the "creative temperament"-it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No-Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.</p>
<p>And, after boasting this way of my tolerance, I come to the admission that it has a limit. Conduct may be founded on the hard rock or the wet marshes, but after a certain point I don't care what it's founded on. When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction-Gatsby, who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the "creative temperament"-it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No-Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.</p>
<p>And, after boasting this way of my tolerance, I come to the admission that it has a limit. Conduct may be founded on the hard rock or the wet marshes, but after a certain point I don't care what it's founded on. When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction-Gatsby, who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the "creative temperament"-it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No-Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.</p>
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<!DOCTYPE html>
<html>
<body>
<p>This text is normal.</p>
<b>This text is bold.</b>
<p style="font-weight: bold;">This text is bold.</p>
</body>
</html>
strong
b tag와 동일하게 bold체를 지정
하지만 의미론적(Semantic) 중요성의 의미를 갖음
표현되는 외양은 b tag와 동일
웹표준을 준수하고자 한다면 strong를 사용하는 것이 바람직
<!DOCTYPE html>
<html>
<body>
<p>This text is normal.</p>
<strong>This text is strong.</strong>
</body>
</html>
Italic
Italic체를 지정
의미론적(Semantic) 중요성의 의미는 없음
<!DOCTYPE html>
<html>
<body>
<p>This text is normal.</p>
<i>This text is italic.</i>
<p style="font-style: italic;">This text is italic.</i>
</body>
</html>
emphasized
emphasized(강조, 중요한) text를 지정
Italic체로 표현
의미론적(Semantic) 중요성의 의미를 갖음
<!DOCTYPE html>
<html>
<body>
<p>This text is normal.</p>
<em>This text is emphasized.</em>
</body>
</html>
<!DOCTYPE html>
<html>
<body>
<p>The del element represents deleted (removed) text.</p>
<p>My favorite color is <del>blue</del> red.</p>
</body>
</html>
ins
inserted (added) text를 지정
<!DOCTYPE html>
<html>
<body>
<p>The ins element represent inserted (added) text.</p>
<p>My favorite <ins>color</ins> is red.</p>
</body>
</html>
sub / sup
sub 태그는 subscripted(아래에 쓰인) text를 sup 태그는 superscripted(위에 쓰인) text를 지정
<!DOCTYPE html>
<html>
<body>
<p>This is <sub>subscripted</sub> text.</p>
<p>This is <sup>superscripted</sup> text.</p>
</body>
</html>
본문 태그
p
단락 (Paragraphs)을 지정
<!DOCTYPE html>
<html>
<body>
<h1>This is a heading.</h1>
<p>Paragraphs 1</p>
<p>Paragraphs 2</p>
</body>
</html>
br
br tag는 (강제)개행 (line break)을 지정
br tag는 빈 요소(empty element)로 종료태그가 없음
<!DOCTYPE html>
<html>
<body>
<p>This is<br>a para<br>graph with line breaks</p>
</body>
</html>
<!DOCTYPE html>
<html>
<body>
<h1>HTML</h1>
<p>HTML is a language for describing web pages.</p>
<hr>
<h1>CSS</h1>
<p>CSS defines how to display HTML elements.</p>
</body>
</html>
q ( " " )
짧은 인용문(quotation)을 지정
브라우저는 인용부호(큰따옴표/quotation marks)로 q 요소를 감쌈
<!DOCTYPE html>
<html>
<body>
<p>Browsers usually insert quotation marks around the q element.</p>
<p>WWF's goal is to: <q>Build a future where people live in harmony with nature.</q></p>
</body>
</html>
blockquote
긴 인용문 블록을 지정
브라우저는 blockquote 요소를 들여쓰기
css를 이용하여 다양한 style을 적용할 수 있음
<!DOCTYPE html>
<html>
<body>
<p>Browsers usually indent blockquote elements.</p>
<blockquote>
<p>Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.</p>
</blockquote>
</body>
</html>
link 요소에는 외부 리소스와의 연계 정보를 정의, 주로 HTML과 외부 CSS 파일을 연계에 사용
<!DOCTYPE html>
<html>
<head>
<meta charset="utf-8">
<title>문서 제목</title>
<link rel="stylesheet" href="style.css">
</head>
<body>
Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
</body>
</html>
href = style.css을 파일을 불러올것을 지시
rel = 불러오는 파일이 stylesheet임을 알려줌
css파일 적용된 모습
script tag
script 요소에는 client-side JavaScript를 정의
<!DOCTYPE html>
<html>
<head>
<meta charset="utf-8">
<script>
document.addEventListener('click', function () {
alert('Clicked!');
});
</script>
</head>
<body>
test
</body>
</html>
JavaScript 실행
src 어트리뷰트를 사용하면 외부 JavaScript 파일을 로드할 수 있음
1. 절대 주소(absolute URL) ex) src=“http://www.tcpschool.com/sample.js”
2. 상대 주소(relative URL) ex) src=“/scripts/sample.js”
